Tag Archives: Indian Ragas

Music Mends Relationship

TV actress and host Vrushali Mandal was a great violinist apart from being a so-so actress. After an year of her successful career, her love life started deteriorating with an obvious reasons and finally it came to an end. Since Vrushali was committed to her work, she continued to act mechanically but fully shattered from within. Her lonely apartment pinched her with the lovable memories and she went into chronic depression. For two months, she locked herself in a room, when a music academy was opened in just the next door. The inevitably audible music of the duirinal classes surpassed her ears daily, which initially made her vexed. Gradually, her depression streaks started plummeting and her gormlessness subsiding. She joined the classes and found her life more towards acceptance and value of relationship. One fine morning, she called her boyfriend to apologise and patch up the stuffs. They kickstarted their life and in an interview she shared a statement, “Tunes and sounds have played a great role in my life; I would suggest all to value music at all times.”

The rhapsodic tunes of music reverberates our soul to an extent that it can change our attitude towards life and people around us. The sonic currents of musical tunes penetrates our body and pleasure hormones called dopamine and  estrogen and balances them. Researches reveal that constant listening to your favorite tracks alters the perspective we have for people and we try to see people with more positive and accepting glairs. Fast and slow tracks also contribute essentially in the attaining and subsiding the optimism in people. Fast tracks generally stimulates one whereas the slow ones relaxes our mind. Soft and slow music unleashes the brain knots which have been tightened throughout the long day of routined office and family life. Fast tracks stimulates us and compel us to get energized to execute something more productive. In a way both the music do good in their own way.

Indian music therapy that’s the raga therapy have nemeity of specific ragas for the specific kinds of psychological and mental issues like negativity, non-acceptance, bewilderment in decision making, or depression. For instance, Raag Ahir Bhairava is beneficial for relaxation, Raga Dwijawanti quells paralysis, Raga Hansdhwani injects energy and vitality, Raga kafi fights with depression and anxiety. Similarly ragas like Keerwani, Kokilam, Neelambari, Ranjani, Hameer, cures the physical degeneration like kidney diseases, insomnia, arthritis, etc..

Read out another story of Sarah Myers, an extremely passionate and enthusiast student of Smith Cotton University. What she thinks of being into the musical environment; How she perceives being born as a musician; How she managed to gather scholarships.

Comparison between the Ragas Bhupali and Shuddha Kalyana

Let’s talk about a few ragas covering  the circumference of the Kalyana Family. Like the members of a family, the ragas share the basic traits but still possess their own individualistic nature, attribute and temperament.

Raga Bhupali and Shuddha Kalyana, both belong to the Kalyana Thata or Kalyana parent raga. Both the ragas are similar in some aspects but differ in a few more characteristic features which make them unique from each other.

Similarities:

  • Raga Bhupali and Shuddha Kalyana share the same thaat.
  • The ascend or Aaroh of both the ragas are pentatonic or Audav, Ma and Ni are omitted.
  • The Vadi (Most important note) and Samvadi (Second important swara) of both are Ga and Dha.
  • The time zone of both is second zone of night.
  • The sustained or Hold note i.e., Nyasa swara in both the ragas are Gandhar (GA)
  • The common note-sturcture in both the ragas are: G P Dh P, Dh SA, Dh P, SRG, RG, G P SAA…

Difference:

Raga Bhupali Shuddha Kalyaan
Jati – Audav-audav (fully pentatonic) Audav sampoorna (Avroh has all the notes present)
‘P-G’ Pairing is present but in a normal manner without stylization ‘P-G’ goes with a meend or glide
P-R swara pair is not important. Its taken rarely P-R swara-sangati is too much and vocalized with glides and murki as in: (P) R S
Bhupali is not meend-pradhan or glide-oriented This raga is active in having meends or the glide ornamentation
Dhaivata (Dh) is used far more compared to shuddha kalyana Dhaivata is used lesser
Lower or mandra notes go like this: S d p, d S, d S R S, p d S. Lower/mandra notes go: S n d p, S, p d S…

Raagmala Paintings Depict Ragas

Ragmala paintings or raag dhyan is again a big reason music enthusiasts visit various painting oriented places. If your field is Indian classical music, one must be aware of Ragamala Paintings, which depicted ragas as a human.

Musicology includes an explanation of ragas in short sanskrit verses called ‘Dhyana’ or meditation of 14th century. ‘As stated in ‘Ragatarangini’ by Lochana, these verses highlight the characteristics, nature, mood, tendency of ragas, injecting life into them, providing them a particular persona or swaroopa as in like a deity, nayak or nayika. This led to the rag-ragini systems and the subsequent creation of the ragamala paintings, which is mainly ragas on canvas. The theme or rasa for these paintings are usually shringar (romance), bhakti (devotional) or baal-kreeda (momism). Here are some examples of the paintings on Raga Bhairav and raga Hindol.

                                                            Raga Bhairava and Raga Hindol:

Ragamala Paintings

Ragamala Paintings

indian-school-18-india-saramananda-son-of-raga-hindol-1921181

Raga Hindol

       However, Ragmala or rag-ragini paddhati has lost its relevance today but it’s still a sheer interested and aesthetically rich topic for the tourists, music lovers, and paintings who frequently visit places like Madhubani, Ellora, Mewar, Dharwad, Mithila etc. to find the live pictures of the ragas especially the ragas which they love or have already learnt.